写读后感使我们在阅读中形成了对故事情节的独特见解和感受, 通过写读后感,我们能够将人物的经历与自身经历进行对比和反思,以下是顺风文档网小编精心为您推荐的《双城记》的读后感最新5篇,供大家参考。
《双城记》的读后感篇1
当我们如同露西一样,遇到心爱之人牵起了双手,我们的爱情开始发芽了!为爱人做一顿美味的饭菜、抚摸着他(她)带着阳光般温暖的衣物、将心爱的人拥入怀中……我们抚摸到了爱情,它带给我们温暖、希望,爱情逐渐成为生命中重要的一部分。但若为心爱之人牺牲生命,不知道能否心甘情愿的奉献呢?
书中另外一位主人公—西德尼·卡屯先生,早年受过良好教育,因不善于计较个人利益而不得发迹,仅仅做个律师助理。在平凡的生活中,他只是一个怀才不遇、彷徨迷茫的人,他寂寞孤独、不修边幅、酗酒无度。当遇到露西· 马奈特小姐后,深深被这样一位美好、善良、美丽的人打动,自己深知无法给予马奈特小姐幸福美满的日子,只是默默的守护着她那个幸福的家庭。在夏尔·达奈深陷牢狱时,西德尼·卡屯利用貌似达奈的条件,李代桃僵,毅然代替达奈上了断头台,用自己的性命维护了露西的幸福。这种爱情虽然带着浪漫主义色彩,但从西德尼·卡屯自从决定为所爱之人赴死开始,始终朗诵着:“复活在我,生命也在我;信我的人,虽然死了,也必复活;凡活着信我的人,必永远不死。”的祷告文中可以看出西德尼·卡屯因爱情而从迷茫中清醒过来,寻找到了自己的价值!
作者狄更斯因自身的生活经历缘故,对社会边缘人群着重关注。卡屯作为社会边缘人群的'代表,更突出了他们彷徨迷茫的一面,他们虽然有血有肉,终究一生碌碌无为,往往是被社会最容易忽略的一群人。西德尼·卡屯在所从事的职业中寻找不到自己存在价值,每日如同行尸走肉一般生活。直到遇到露西·马奈特小姐后,这个爱的源泉才使得他发现生活意义,成为他生活的信仰。感谢爱情拯救了他!
可怜如蝼蚁的我们,生活在这无边际的城市中,每天为了生计匆匆忙碌,谈论的话题永远围绕着“今年挣了多少钱”“买了多大的楼”,庆幸这些话题目前暂时还能代表着我们内心奋斗的目标,如果运气遗忘了我们中的某些人,那么他们也将成为社会边缘人群,无信仰、无目标、无意义,真正的三无人员!当信仰和道德建立在物质和阶层基础上时,我们也如同斯揣沃和卡屯一般,都是被怜悯和卑微的!
与其说卡屯是因爱情而殉情,倒不如说他因找到信仰而献身更为恰当!
《双城记》的读后感篇2
小说《双城记》被誉为描写法国大革命的最杰出的代表作,我想最大的原因可能是因为它的与众不同。和其他的作品,比如卡莱尔的《法国大革命》不同,狄更斯更注重的是底层人民的喜怒哀乐。尽管在那个时代,这些小人物本身并不能引起世界的关注。但是作者敏锐的捕捉到这些小人物和大革命有着千丝万缕的联系,可以说法国大革命本身就是有小人物们的力量所引发的。
在这部作品里,我看到了很多很多不同的人。正直善良却惨遭迫害的马奈特医生,美丽温柔的露西,优雅高尚的查尔斯,忠厚老实的`洛瑞,外表冷漠、内心热情,放荡不羁而又无私崇高的西德尼,扭曲了人性的德发奇太太,豪爽忠诚的普洛士小姐,残忍阴险的埃佛瑞蒙兄弟……复杂的仇恨纠缠不清,残忍的复仇制造了更多仇恨,爱在地狱的边缘再生,却是以生命为代价。这错综复杂的一幕幕,活生生的展现在面前,仿佛重现了那个失去理智的时代。
有人说,小说《双城记》是描写了两个男人和一个女人的故事,我却觉得,这样说的人必定没有了解作者真正想表达的意图。如果只是表达了这个,任何一部作品都可以达到露西和查尔斯的水准,那么小说《双城记》的优势怎么体现出来呢?在我看来,德发奇一家和法国贵族的仇恨也好,露西、查尔斯和西德尼的感情问题也好,都是为了体现一个共同的主题而设的。这个主题就是剖析这场大革命与民众之间的关系,看到底是什么引发了这场革命,到底这场血雨腥风给人们带来了什么。我想这才是作者想要表达的重心所在。
《双城记》的读后感篇3
既然从合上这本书到今天二个星期的时间,好多细节都已经忘记了,那就不强求自己,只写一些印在脑袋里的画面,看能不能有所启发好了。
那辆轮子咕噜咕噜地碾过潮湿的泥巴路面的马车,马车上人心惶惶的素不相识相互提防的人,黑暗的丛林边穿着雨衣戴着雨帽任凭雨点溅落的只留下轮廓的邮差。
酒店对面的巷子里,盘旋而上的楼梯,铁架被鞋子踩着发出的声音好像撞击着一扇很久未开的厚厚的铁门,里面是一个老医生,用叮叮作响的铁锤修补着一双一双的鞋子。这房子其实离街道并不远,通过小小的阁楼天窗也照的进阳光,但就是感觉这里的一切都与世隔绝,叮叮的'声响在屋内四处撞击着,回绕着,让人揣不过气,也出不去。
那些颗粒无收的佃户,成日的用酒精麻痹着自己,游荡在石质的路板上,摇摇晃晃,贪婪的舔着地上剩余的葡萄酒,然后心满意足的,摇摇晃晃,回家去。
狂妄无忌,轻蔑的视人民为粪土,连撇一眼都觉着脏了自己似的侯爵老爷,安然自得的,一如既往的,坐在椅子上,心却漂浮在高贵奢侈的空气里。
这是法国大革命前夕整个国家氛围的缩影,潮湿,阴暗,麻木,轻浮但总像要发生点什么。
这是一个无可救药的时代,因为人民无法忍受他的阴暗,于是巴士底狱被攻占了,于是侯爵老爷跑到英国去了,于是还有的官僚头目和侯爵老爷没有逃跑成功反过来被革命的人们抓进了监狱变成了罪人,于是时代就变了,悲哀的是你突然发现那种黑暗,并没有变光明,革命党的头领坐在审判桌上,有的在睡觉,有的没睡觉,有的喝了酒,有的没喝酒,总之,对于犯人的审判不分青红皂白蛮不讲理毫无道理可言,用那永不满足的吃人机器将坏人的脑袋一个个吃掉。你说你是好人,审判团的人说为国家献身才叫好人,任何维护自己利益的话都是狡辩。以前的人们麻木不仁的看着马车后被碾死的人,现在的人们期待着一个个人头落地,宁可错杀一千不可放过一个。
英国作家狄更斯,用他的笔深刻的描绘了法国的这个时代,是害怕同样的故事会在英国发生,书中那位年轻律师对医生女儿的爱情就应该是他对未来美好的期盼了吧。
向这位为了爱人的幸福生活勇敢牺牲的年轻律师致敬。
《双城记》的读后感篇4
一本书就像一部电影,翻过那一页页泛黄的纸片,留下的是书中的记忆。一个个鲜活的人物形象,一件件扣人心弦的事件,一行行跳动的文字将整个画面编织成一部充满血与泪的历史。狄更斯就是用手中的那支笔向我们讲述了那个暴风雨来临前的社会。
文字是心境的外在反映,狄更斯的经历让他的文字不再干涸。他出生在英国一个普通家庭,曾经做过鞋徒,当过文书,最终走上了写作之途。他生活在那个充满黑暗的年代,只能用笔来写出满腔的热情与愤怒。他的小说特别是前期作品,一般都比较松散冗长,而《双城记》在结构上是最严密的一部,没有多少与主题无关的繁枝杂叶,在法国大革命的背景下,围绕着马奈特医生一家和以德发日夫妇为首的圣安东尼区展开的,前者表现了爱与行善,后者着重反映恨与复仇。通过爱恨交锋,善恶搏斗,最终如作者所说:“爱总能战胜恨。”恶往往都是昙花一现,都要和作恶者一同灭亡,而善则永世长存。
诚实善良的马奈特医生因为医治一名被埃弗雷德兄弟虐待的女子而扯出一段黑幕遭到秘密监禁达十多年。热心敦厚的银行职员洛瑞为老客户救出女儿——露西,并试图营救马奈特医生,因种种巧合温柔多情的露西遇见了正直高尚的达内,二人坠入爱河。他们联合救出父亲,仁爱无私的律师卡顿爱上了露西,却因为爱替情敌走上了断头台,耶稣说:“复活在我,生命在我,信我的人,虽然死了,也必复活,凡活着信我的人,必永远不死,虽死犹生,卡顿犹生,仁爱犹生。最终爱的家族取得了胜利。
在那悲惨的社会中,人民为了自由而战,狄更斯不是一个手执长矛的勇士,但他是一个用文字来书写社会的爱国者。透过那蒙上黑雾的历史,用暴风雨来临前的宁静来告诉世人,在这个即将迎来光明的世界中,正义和爱永远是人们前进的不竭动力。身处乱世的人们心灵中充满了孤独、恐惧与血腥,他们为了恨而变得扭曲,如同回到了人类的原始时代——那个野蛮残忍的年代,狄更斯用文字中带给了人们希望看到了文明,在另一个充满血泪的国度中看到了故国的未来,也不管努力追求的前方有多么坎坷,也不管在通往民主与自由的道路上会留下多少人的血泪,埋下多少人的白骨,文明的人们总会义无反顾迎接自由的曙光。
《双城记》的读后感篇5
a tale of two cities is one of dickens's most important representative works. long before writing a tale of two cities, dickens is very concern on the french revolution, reread the british historian, carlyle's “french revolution” and other scholar's related works. his strong interest of the french revolution began in the british lurking at the time the concerns of the serious social crisis. at the end of 1854, he said: “i believe that dissatisfaction like smoke fire up worse than, this special like the public before the french revolution for the first time, it's danger, for one thousand kinds of reasons, such as poor harvest, the nobility of bossy and incompetent the already tense situation last to defeat in war, overseas and domestic events and so on -- into that have never seen a terrible fire.” visible, a tale of two cities of the historical novel creation motive sees, in the history of the french revolution experience for reference, to the bell of the ruling class; at the same time, through the extreme portrayal of the revolutionary terrorist, also to harbor resentment, attempting to violence against the tyranny of the masses, warned that fantasy for the status quo of social contradictions increasingly deepen to find a way out.
starting from this purpose, the novel profoundly revealed before the french revolution deeply intensified the social contradictions, strongly criticized aristocracy dissolute brutal, and deep sympathy for the lower people's suffering. work pointedly said, the people's patience is limited, under the cruel rule of the noble class, the people under the livelihood, is bound to fight. this kind of resistance is justice. novel in people's uprising against the bastille, etc, was also depicted spectacular scenes, shows the great power of the people. however, author station on the bourgeois humanitarian grounds, namely against brutal tyranny which oppressed the people, people also objected to revolt against the tyranny of the violence. in charles dickens, the revolution is portrayed as a great disaster of destruction, it ruthlessly punish evil gentry class, also kill innocent people blindly.
the novel created three types of characters. category is urban mr monte marquis brother as a representative of the feudal aristocracy, they only unshakable philosophy is “oppression”, is the author of pain and flay object. another kind is to cut stone couples, such as the revolutionary masses. it must be pointed out that their image is distorted. such as cutting stone wife, diana, she was born in peasant, insulted, persecution of the feudal nobles with great hatred, the author deeply sympathize with her misery, really appreciated her strong personality, before and after the revolution, excellent talents and extraordinary leadership ability; but when revolution is further thorough, a pen and put her as a ruthless, fierce, narrow avenger. especially when her to the doctor house raids dasey, “and the path is characterized by more bloodthirsty men. finally, the author let her die under his muzzle, makes it clear that the negative attitude. the third kind is ideal character, the author thinks to humanitarian resolving social contradictions, in order to love overcome hatred, including speech, father and daughter, darnay, unquestioned and carl's, etc. meini, the doctor is marquis brother may have caused the destruction of the marquis brother with great hatred, but for the sake of her daughter's love, can abandon the old feud hate; darnay is marquis brother's sons and nephews, his big end, condemn the sin of his family abandoned the rank of nobility and property, are determined to ”sin“ with their own actions. this to reflect the character of each other, one is the victim of the aristocratic tyranny and tolerance for pregnant; one is the successor to the noble marquis, advocate benevolence. among them, more as a daughter and wife ”. hold in the bond of love, they form a mutual understanding, emotion harmonious happy family. this is obviously the author thought a violent revolution and the opposite way out of resolving social contradictions, is unrealistic.
a tale of two cities is different from general historical novel, its character and the main plot are imaginary. during the french revolution broad real background, the author clues to give priority to with fictional characters meini, doctor's experience, the unjust charge three independent each other, love and revenge and interconnected stories interweave together, intricate plot, intricate plot. the author take the flashbacks, interleave technique such as, stage, bedding, make the novel complete structure, tense and dramatic plot twists and turns, showed excellent artistic skills. a tale of two cities style solemn, depressed, etc, but the lack of humor early works.
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